| The Hindu - Interview |
| An Interview with Rahman |
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How did you come into films? My father, R K Shekar was a music director in Malayalam films. He assisted Salil Chowdary, Devrajan and others. He died when I was nine. At eleven I came into the field, playing on the keyboards and later as an accompanist. I worked under various music directors in Tamil, Telegu and Malayalam- Ramesh Naidu, MS Vishwanathan and IllayarajA. It started becoming a bit monotonous. I thought advertising would be a good alternative. This went on for three years. I built my studio and took to different forms of music- pop, rock and so on. It was then that I met producer Tirlok Shardha, cousin of Mani Rathnam at a party. He (Mani) came to my studio and heard some of my tunes. We agreed to work together though we did not decide on which movie. Only later he told me it was to be Roja, which he directing for K Balachander. Despite your success you do not seem to be working on a lot of films? Rather than making money I believe in making people happy, all other things are secondary. That is why I am not interested in al Lot of movies but only in one at a time. I like directors whom I can vibe with. Ten years of experience in this field has made me quite frustrated. I've evolved a technique, which requires a lot of time. Other music directors record a song in 7-8 hours. But I am different. We do a basic sitting and we record it. We record the voice and I add instrument by instrument to improve the quality. Do you use computers in your film tracks? No, not computers. The technique is different. In fact they say the music in Roja was computerized. As I said earlier the recording takes time. You can hear the same flute in a different way. It is not computerized music. Nearly 40% "Veerapandi Kottayily" (a song from "Thiruda Thiruda") that does not sound like computer music and "Vellai Mazhai (from Roja) is synthesizer oriented. I do not restrict the musicians but ask them to play whatever they feel. Then I record what I want. I spend a lot of time on lyrics too. It takes around 4 days. We write something in the first instance and then improve. So it take about a week to complete a song. You say you are choosy in your projects, but you also go in for populist songs. Why so? Different people need different songs. I want to go down to the people at various levels. When I toured Tamil Nadu, I found that people wanted songs that would make them happy. There is nothing vulgar in my songs. I want my music to reach everywhere. If I play rock, only youngsters will understand, while older people will say, "Why is he shouting like this?" Each category of music reaches only one circle; for the class audience "Thiruda Thiruda" and for the masses "Gentleman". I am learning Carnatic classical music from Dakshinamurthy and Hindustani from Krishnan Nayar. I like traditional music. I want my job to be interesting and fun. I just don't want to get stuck again in monotony. Are you being repetitive in your musical style? In recent times I've done films with a similar outlook. These films are aimed at the young generation and therefore have to be beat oriented. Yet I've tried for a distinct sound every time. After Bombay I haven't got stuck in the hip-hop groove. What I did for Rangeela and Indian were zestful and fast paced but quite unlike Bombay. As for the gentler paced songs of 'Kadhal Desam' if you care to notice they are rooted in melody. What are your views on the Indian film music scene today? Its going through a cyclical process. The techno stuff has reached a saturation point. Soon we'll be back to simple and soulful melodies. When you here the songs of 'Aanandam' you'll see I've used an acoustic rather than an electronic base on three of the songs. How does it feel to be on the top (of the film music industry)? I don't really think I'm at the top. Basically I came into this field not intrude on anybody else's success. What music do you like? Bach, Beethoven and Mozart and Carnatic music. I was into rock and fusion. I like to bring all these into my music. Your views on film music in India? A. Film music in India is like pop music in the West. Movies are the channels for this music. |